Thursday, December 26, 2019

Twelfth Night - Orsino - Free Essay Example

Sample details Pages: 3 Words: 973 Downloads: 10 Date added: 2019/07/29 Category Literature Essay Level High school Tags: Twelfth Night Essay William Shakespeare Essay Did you like this example? In William Shakespeares play, Twelfth Night, Orsino, is a dramatic, moody, love fool that pines away for the stunning Lady Olivia (who wants nothing to do with him) for most of the play but ends up with the beautiful cross-dressing Viola. Orsino is a wealthy bachelor that has the role of power as the Duke of Illyria. He seems lazy and doesnt want to do anything for himself, which, puts emphasis on his class in society. We get our first look at the Duke in the opening scene and its pretty telling, Shakespeare writes: Don’t waste time! Our writers will create an original "Twelfth Night Orsino" essay for you Create order If music be the food of love, play on, Give me excess of it; that, surfeiting, The appetite may sicken and so die. That strain again;it had a dying fall; O, it came oer my ear like the sweet sound, That breathes upon a bank of violets, Stealing and giving odor.Enough; no more; Tis not so sweet now as it was before. (2) Orsino commands his musicians to play because the music feeds his desire for love, then interrupts and demands that they stop, saying, Enough; no more / Tis not so sweet as it was before (2). This quote tells us that Orsino is dramatic in his words, powerful, self-absorbed, and a bit moody. Orsino says hes in love with Olivia but theres evidence that he is really not. When he shares his thoughts on when he first saw Olivia, Shakespeare writes, That instant was I turned into a hart; / And my desires, like fell and cruel hounds, / Eer since pursue me (2-3). Orsino said he was turned into a hart (a deer) and he was pursued or hunted by his desires, which were like the hounds. Orsino doesnt imagine Olivia in this pursuit as much as he fixates on the pursuit of himself in the fantasy. Notably, there are a lot of personal pronouns spoken, me, my, and I when the Duke speaks. The Duke is more about himself than Olivia. In movie, Shes the Man, Duke Orsino doesnt even appear in the movie until is well under way. The movie is more Viola/Sebastian driven and Duke has very little lines compared to its Shakespeare counterpart. Duke doesnt come across as dramatic and he is still the love fool who pines away for Olivia. He really puts the fool in love fool because Duke gets tongue-tied, hes bumbling and cant speak more than a couple words when Olivia is in the vicinity. Viola Hastings is a girl who plays soccer for the Cornwall College team until her team gets cut. Her twin brother, Sebastian, is enrolled at Illyria but skips out when his band gets a gig in London. Viola then decides that shes going to prove that girls are just as good as boys and decides to join the team at Illyria, as her brother Sebastian so she can beat the Cornwall team. Our first look at Duke in the movie, is when Sebastian/Viola makes her way to the campus of Illyria. Duke is in his dorm room along with his two buddies. They dont take very well to Sebastian and as for first impressions go, Sebastian doesnt make that great of one. Duke is the soccer teams striker and acts as though he is better than Sebastian. Sebastian asks Duke when the soccer tryouts are, and Duke responds, Noon, you play? And gives an incredulous look toward Sebastian. Duke and his buddies make fun of Sebastian. Duke says he is in love with Olivia in this movie, but is he? Here too, shows evidence that he truly may not be. You must delve a little further into the movie. Duke meets Viola at the school carnival when he buys tickets for the kissing booth, that Olivia is working at. Viola relieves Olivia from her shift right before it would be Dukes turn for the kissing. Olivia leaves much to Dukes dismay but is attracted to Viola and becomes a bumbling mess. Later, Duke and Sebastian are at the gym working out, Duke tells Sebastian that he wants to ask Viola out to dinner but when Olivia decides to try to make Sebastian jealous by asking Duke to dinner, Duke once again bumbling and takes Olivia up on her offer. Olivia: So do you have plans tonight? Duke: Im free Duke to Sebastian: Im going out with Oliviaaaa Sabastian: I thought you liked Viola? Duke: Dude, cmon what would you do? If Duke truly was in love with Olivia, why did he enjoy kissing Viola so much? The gym scene really shows how fickle Duke is, going from wanting to ask Viola out for dinner to Olivia asking him out for dinner and he so quickly forgets Viola. In the Shes the Man, Duke seems to be less self-absorbed but more sensitive. There are less mes, Is, and mines. Duke is also there for a little comedic relief. The movie is also very Viola/Sebastian centric. We follow their perspective the entire time and theres very little supporting character story or intervention. In, Twelfth Night, its central story is the Viola/Sebastian, Orsino, Olivia love triangle, we see more perspectives in the changing of the scenes. The cast of supporting characters have their own side stories going on that are just as entertaining as the main story. It makes the play seem so much larger. In conclusion, Shakespeares comedy, Twelfth Night and the light-hearted teen movie Shes the Man, have many lessons to be taken away. Be yourself and love is sometimes tragedy. Cited Works: Shakespeare, William. Twelfth Night Or What You Will. McAllister Editions, 2015. Shes the Man. Directed by Andy Fickman, written by Ewan Leslie, Karen McCullah Lutz, and Kirsten Smith, performances by Amanda Bynes and Channing Tatum, DreamWorks, 2006. Twelfth Night, or What You Will Shmoop Editorial Team https://www.shmoop.com/twelfth-night/

Wednesday, December 18, 2019

Ethics Ethics And The Legal Ramifications Incurred

Analysis of Ethical Questions Related to Fraud Processes In examining the standards of ethics, or lack thereof, in cases of corporate fraud there are key questions to consider. These questions relate to ethics, the fraud triangle, and the legal ramifications incurred. It is important to examine the elements related to these key questions, in order to gain an understanding of the impacts fraud has upon all parties involved. This handbook provides information to gain an understanding of what ethical violations are at play and the impacts upon all involved parties resulting from those violations. Further provided is information regarding ethical issues when an awareness of the fraud is known, and what the reactions should be by the†¦show more content†¦Whether the dishonest act involves fraud against a company, such as employee embezzlement, or fraud on behalf of a company, such as management fraud, the three elements are always present. Figure 1 illustrates the fraud tria ngle comprised of these three elements. Figure 1. Fraud Triangle Perceived Pressure Perceived Opportunity Each fraud perpetrator faces perceived pressure, and most often these pressures involve a financial need, although non-financial pressures, such as the need to report results better than actual performance, frustration with work, or even a challenge to beat the system, do sometimes motivate fraud. Some examples of perceived financial pressures that motivate financial statement fraud are financial losses, failure to meet Wall Street s earnings expectations, or the inability to compete with other companies in the industry (Dunn, 2003). The pressure that applied to what John Rigas experienced in the Adelphia case related to living beyond one’s means, from greed. A fraud perpetrator must also have a perceived opportunity or they will not commit fraud. Even with intense perceived pressures, where there is the belief that fraud is typically caught and punished, and an executive rarely commits fraud. On the other hand, those executives who believe they have the opportunity, to co mmit and successfully conceal fraud, often give in to perceived pressures. Perceived opportunities to commit management fraud include such factors as a

Tuesday, December 10, 2019

Ballys Total Fitness Essay Example For Students

Bally?s Total Fitness Essay Bally total fitness originated as an average health and tennis club in 1962. Who would have thought they would be where they are today. Like many other major companies sometimes it pays to be in the right place at the right time. Today they are one of the major companies in a 14 billion dollar health club industry. They are the third biggest health care chain behind Curves for women and the YMCA. Currently they have around four million members and 420 facilities. They currently have operations in 29 states including Asia, the Caribbean, and Canada. You may be wondering why you dont see that many Bally Fitness Clubs; the reason for this is because they run the business under 6 different names. The other clubs they own include Bally Total Fitness, Crunch Fitness, Sports Clubs of Canada, Pinnacle Fitness, Bally Sports Clubs, and Gorilla Sports. Bally total fitness currently employs 23,500 staff members, 6,700 group instructors, and 3,500 personal trainers. These numbers are including the clubs they own that are under different names. What many people dont realize is Ballys Sports clubs is only apart of the company. Along with fitness centers they also have their own products. They have an extensive line of exercise equipment ranging from medicine balls to free weights. However it does not end there they also have a full line of supplements including weight management products, performance supplements, and energy enhancers. There exercise equipment is only available for sale online however there supplements can be purchased at super markets and nutrition stores. It is not uncommon today to see companies misstate their earnings. As we know this is an illegal activity that has put companies under such as Enron. This is not something that makes your company look good and is not worth getting caught for. Well Ballys got into the mix in early 2003 when they were forced to restate their earnings for the current period. Their stock price collapsed and needed help in a hurry. They decided to get a new CEO which was a well traveled man known for reviving companies. That man was Paul Toback , he knew something had to be done quickly, so he decided to come up with new advertising efforts in 2004. Those advertisements proved to be extremely successful and they will continue these same types of advertisements in 2005. During this time they have also created strong partnerships with some of the biggest companies in the world. These companies include Gatorade, Kraft, Pepsi, Unilever, and Colgate. Here at Ballys we are trying to attract males and females ages 18-40. We feel that this group of people is the most self conscious and they are interested in getting into shape. However in this direct mail campaign we have decided to target the northeast part of the country. In this region we will advertise heavily in the suburbs in the cities, because this is where we feel we will get the most responses. Along with targeting an audience of 18-40 we would like to offer it to middle class people making a minimum of 35,000 a year. By doing this we hope to get serious inquiries, and not people that come for a month and leave. Ballys Total Fitness is a full service health club offering a wide range of many different amenities such as, aerobics, basketball, boxing, child care, circuit training, dance, elliptical training, free weights, group cycle, kick boxing, martial arts, locker rooms, nutrition program, personal training, physical therapy, plate loaded machines, pool, racquet ball, running track, sauna, snack/juice bar, spa, stair climbers, step aerobics, treadmills, weightless program, women only section, and yoga. There is no other franchise of gyms that offer as many of these services. This is why Ballys Total Fitness has an advantage over its competitors. .ua93e834a0fdffc11341cf735ab8bdab3 , .ua93e834a0fdffc11341cf735ab8bdab3 .postImageUrl , .ua93e834a0fdffc11341cf735ab8bdab3 .centered-text-area { min-height: 80px; position: relative; } .ua93e834a0fdffc11341cf735ab8bdab3 , .ua93e834a0fdffc11341cf735ab8bdab3:hover , .ua93e834a0fdffc11341cf735ab8bdab3:visited , .ua93e834a0fdffc11341cf735ab8bdab3:active { border:0!important; } .ua93e834a0fdffc11341cf735ab8bdab3 .clearfix:after { content: ""; display: table; clear: both; } .ua93e834a0fdffc11341cf735ab8bdab3 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ua93e834a0fdffc11341cf735ab8bdab3:active , .ua93e834a0fdffc11341cf735ab8bdab3:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ua93e834a0fdffc11341cf735ab8bdab3 .centered-text-area { width: 100%; position: relative ; } .ua93e834a0fdffc11341cf735ab8bdab3 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ua93e834a0fdffc11341cf735ab8bdab3 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ua93e834a0fdffc11341cf735ab8bdab3 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ua93e834a0fdffc11341cf735ab8bdab3:hover .ctaButton { background-color: #34495E!important; } .ua93e834a0fdffc11341cf735ab8bdab3 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ua93e834a0fdffc11341cf735ab8bdab3 .ua93e834a0fdffc11341cf735ab8bdab3-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ua93e834a0fdffc11341cf735ab8bdab3:after { content: ""; display: block; clear: both; } READ: Community Development Essay A few of their competitors are Golds gym, 24 hour Fitness, Sports clubs, and local gyms. Ballys mission statement is to be your total fitness resources by providing quality service and outstanding faculties to help you achieve results YOUR way. They sure do offer many facilities and the part that they say YOUR way, is because there are nay different types of people who join Ballys for different reasons. .

Monday, December 2, 2019

Lanyer Description of Cookham free essay sample

The Description of Cook-ham Lanyers Description of Cooke-ham is the first known printed poem identified as the country house poem, predating the publication of Ben Jonsons â€Å"To Penshurst†. It was adressed to Margaret Clifford, Countess of Cumberband, as a bid for patronage. It describes an idyllic summer Lanyer once spent with Clifford on the estate at Cookham where Lanyer composed poetry to please her patron and the countesss daughter Anne. Manipulating pastoral conventions, Lanyer actually chalenges the masculine values of the country house genre, emblematic of the lords influence and of conservative claims of land control by depicting an edenic locus amoenus where three women live symbiotically without males . Indeed in Cook-ham she praises in panegyric terms her patron and her rightful claim to the land. But by reappropriating pastoral conventions into a new mold – that of the country house poem- Lanyer also justifies female authorship and creativity at a time where women were barely given the possiblity to write at all. We will write a custom essay sample on Lanyer Description of Cookham or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page So typically Lanyer seems to establish a tradition and yet she simultaneously subverts it. What is clever about Lanyer is the fact she uses convention  : she writes a very conventional poem to convey unconventional ideas about women. Thus well discuss to what extent we can portray Lanyer as a protofeminist writer : first by creating a representational and poetic female refuge from male-dominated world and discourse and then by questionning gender roles and male dominance through authorship. I. The Cooke-ham garden : both the depiction of a matriarchal autarcic society and an edenic garden where women are empowered and redeemed. Lanyers poem aims at creating a symbolic space for women : that of the garden of Cooke-ham where Lanyer and two other women can find community with one another. In fact, with the use of garden imagery, Lanyer erects a feminine space within literature where women can be freed of male dominance. What is interesting here is the fact that the garden that is supposed to be the domain of the male becomes open for womens creativity and self-assertion both as a physical place and a literary device. Indeed the Cooke-ham description that Lanyer makes is not actually the description of a house even though there are references to it twice in the poem. It is not a description of the typical home of an aristocratic family run by patriarchal values like you can find in Jonnsons poem. Here Lanyer focuses on the vinicity of the house, hence the use of the isotopia of nature and various references to open space. â€Å" The hills† 35 , the swelling banks† 43 , â€Å" the woods† 40 What is rather transgressive is the fact that women here are associated with the outside when traditionnally they are defined by the indoor and private sphere. Which means they are not confined anymore to the cells of their houses. In this symbolic world that Lanyer creates thanks to poetry, women can enjoy full mobility, that is not limited by patriarchal rule. = this is to be seen through the use of verbs of movement such as â€Å" Walks† L21, â€Å"Let me come unto that stately tree†, 53 â€Å"  you walk,81 â€Å"you mount†. 85 The garden of Cooke-ham is actually a symbolic and spatial emancipation of women performed through the medium of art. A) Lanyers matriarchal society What Lanyer depicts here is a small autarcic martriarchal society that is quite reminiscent of the amazons tribe. =gt; They actually live actually on their own : ladies, the queen of the Amazon being the countess referred as â€Å"the mistress of this place. †11 =gt; The garden of Cooke-ham is actually a locus amoenus that offers the possibility for women to live as a community with one another and to become empowered : through education â€Å" Where many a learned book was read and  scanned† which was a priviledge for a few number of scholarly women and writing : â€Å" the muses gave their full consent,3 : women were allowed to write with no opposition whereas at the time writing was regarded as a male prerogative  . =gt;Morever one can note the use of a belligerant lexicon to refer as men : â€Å" Defended Phoebus when he would assail† 64 : the intrusion of men metaphorically refered as the presence of Phoebus, god of the sun into that feminine space is p erceived as a threat. The oaks shade protects the ladies against the assault of the sun. So women are removed from the males world with which they are at war. Besides marriage ( â€Å" dorset now espoused†), 95the intermigling of male and female is seen as some kind of â€Å"fall†. Symbolically rendered by a downward movement corroborated by phrases such as â€Å" lowest†,110 â€Å" cast down† , â€Å" so low† 104 + act of subjection â€Å" use of passive form â€Å" many are placed† 108 + severing of the community bond â€Å" we cannot daily see†. 105 The notion of fall is very important here as Cooke-ham is also depicted as an edenic garden where the redemption of women is made possible. Cooke-ham, an edenic garden and Lanyers plea for womens redemption Indeed Lanyer in the first part of the text plunges us into a prelapsarian world where our 3 Eves remain unfallen, untouched by sin. =gt; this is conveyed by the the key word at the start of the poem is which ‘grace’. Grace is everywhere. The word appears 10 times in the poem. As soon as the second verse : â€Å"Grace from that grace where perfect grace remained† =gt; with the use of a triplet which can be reminiscent of the holy trinity.  gt; Besides place rhymes with grace. So cooke-ham is basically of an edenic garden : * The poem itself reflects this mingling of earthly and heavenly world â€Å" celestial pleasures† 15 //earthly treasures. * This estate is also inhabited by biblical beings: as the Countess climbs uphill to see the vista of English counties, she simultaneously ‘With Moyses’ mounts ‘his holy Hill, / To know his pleasure, and performe his Will’ R eferences to the Christ, to David, to Joseph. The place is endowed with Gods presence which appear to everyone ; â€Å"Of their Creator’s power, which there you saw†77 In all his creatures held a perfect law;And in their beauties did you plain descry His beauty, wisdom, grace, love, majesty† By recreating an edenic garden, Lanyer aims at contesting the unfair subjection of women on earth and to redeem them by debunking Eves fault (hence the 6 occurrences of the word virtue, virtuous). =gt; What is at the core of the poem is the radical retelling of the fall episode by Lanyer. Indeed at the centre of the state as Lanyer repeatedly tells the reader is the â€Å"oake† L54 * this tree is both reminiscent of the parallel biblical world in which cedars of Lebanon abound ( Much like a comely Cedar straight and Tall 132) and of a Palm Tree which would mean ‘faire tree’ is the cross on which redemption was won by the outsretched arms of Christ. And =gt; =gt;Lanyer actually underlines the fact that this is the exact spot where the countess would lead her apostl to ead and discuss ‘holy Writ†84 =gt; so actually thee fruit of the tree in Lanyer’s reinterpretation is shown to be good. Women shouldnt be considered as inferior to men and should be educated. C) Lanyers failure and the denounciation of males exclusive right to ownership Yet one must not neglect the fact that this is an elegiac poem and that Lanyer ends on a sorrow note. The various instances of pathetic fallacy appear to be more than just a way of accounting for the onset of winter, but refers to Lanyers personal grief and sadness. Depiction of a withering nature : â€Å" The flowers Crept in the ground, the grass did weep for woe. 180 » Isotopia of sadness  : dismay, mourful sorrow = reification of nature. Due to the countess departure. «Ã‚  Of your depart, their very leaves did wither,  «Ã‚  194† The main reason for it is because Lanyers attempt to emancipate women fails. Indeed her representational space remains dependant on males will and dominance  : Her sorrow, inspired by her exclusion from a new Eden on the grounds of class as well as, indirectly, gender. For this new exile fr om paradise is not only caused by her own lack of status – =gt; her residence at Cooke-ham was dependent on the presence ff the Countess of Cumberland and her daughter Anne Clifford – = the result of the aristocratic women’s own exclusion from patriarchal society = because women can own a land. Cooke-ham was not, after all, the Countess’s house, but only a temporary lodging. So at the end of the day, they are still the prisoners of mens will. Kind of ineluctable confinement is rendered by the use of chiasmatic parallelism : â€Å" The house received all ornaments to grace it, 19 † V. 18 or zThe house cast off each garment that might grace it† 201 and the notion of rise and fall. â€Å" Rise and fall† â€Å" Rise† 37//† descend† 35 But if Lanyers utopia collapsed in front of the principle of males reality , the power of her poetry shall not be overlooked as it questions the traditional gender boudaries of the Elisabethian society II. Male dominance to the test of female authorship A) Women as a subject of beauty : the questioning of womens objectivity What is also worth analyzing in Lanyers depiction of the Cooke-ham garden is the fact that in the representational world she erects, women are the source of creativity. =gt; Countess eyes are brighter than the sun â€Å"To shade the bright sun from your brighter eyes;† 26 Which means that the countess is more appealing that the symbol of masculinity which traditionnally shed light and animates things. =gt; here natures shift originates from women. Trees with leaves, with fruits, with flowers clad, Embraced each other, Turning themselves to beauteous Canopies, To shade the bright sun from your brighter eyes; Actually the presence of the Countess inspires a creative activity described here as a female act of creation : â€Å"The swelling banks delivered all their pride When such a Phoenix once they had espied. †44 â€Å" The Swelling banks that deliver† suggest the idea of pregnancy and birth imagery issuing from the body of women. In fact the locus amoenus derives from the communal and mutual relationship between elements of nature and the women who live there. So there is in fact a natural reproductive authority of women in that world. Women are both the source of creativity and the creator. This conception is quite trangressive because women at the time were often associated with an object of beauty. They were a being-perceived. They were defined and celebrated through the medium of males eyes and artistic looking. But here in that garden, women become a subject of beauty. They are the deliverer of beauty. And of course, there is a mise en abyme at play in this poem as Lanyer as a poetess herself is the subject of beauty, she is a being-perceiver, she is the one who creates out of a blank page this edenic world and who delivers an object of beauty, that of the poem. So there is definitely a plea for womens right to authorship, to creativity in a world where writing was seen as a male prerogative. B) Womens authorship : The questionning of Mens authority But what is even more fascinating with Lanyer is the fact that she translates authorship into authority. By means of her authorship, by means of the authority that she is endowed with as a writer, Lanyer makes women the guarantor of authority in her Cooke-ham garden. She usurps through the process of writing authority over the man. She rejects the subordinate role of women. She refuses to be a being-perceived. She performs a kind of matriarchal coup detat or at least she offers the possibility to consider a society of women out of the androcentrist perspective. Women can live by themselves. They do not need men to watch after them. This is why I consider that Lanyers work is very political. Beneaththe poetic surface, the very act of writing is trangressive. Because you never write for yourself, you write in order to be read, to reach out for an audience. This poem is not only dedicated to her patron but it calls for the attention of her contemporaries. Writing means that you can publicly voice some ideas through the medium of art. Although your work can be very artistic, very focused on literary conventions such as poetry  : here weve got one of the most conventional type of art  : a countryhouse poem; writing here cannot reduced to the celebration of beauty. , to the mere poetic description of Cooke-Ham. This is actually a way to voice one opinion publicly to stand onto the public stage   and exist politically speaking, as an author, as a woman in mens world. This is very powerful move at a time when women had no say in public affairs, when you were required to be silent and accept their condition with all subjection. As I said previously t to wield the pen was seen as a male prerogative But Lanyer was not silent. She used her pen and her printing press to make her voice heard. AndPoetry by essence is a voice. On the other hand it is also a way to engrave a spot for women in Literature and History. By resorting to poetry – which has long been used as the vector of memory and myth thanks to his memotechnical aspect – Lanyer adresses posterity in terms that were previously restricted to men. The idea of posterity is underlined with this verse â€Å" his last farewell to Cooke-ham here I giue,   When I am dead thy name in this may liue 206 Lanyers homoerotic transgressive use of poetry Through the art of poetry and her authorship, Lanyer transgresses other gender boundaries and take on another male prerogative which womens sexual satisfaction. Indeed this poem disclosed an ambiguous homoerotic relationship between Lanyer and the countess. It can be read as some kind of re-writing of courship poems with the countess being referred as â€Å" the mistress of the place†, in position of social superiority â€Å" The Lady†, and Lanyer being the poet that praises her beauty, her power. Lanyers latent homoerotic love for the countess is of course rendered with the idea of kiss and Lanyers envy for the tree that received it. Besides throughout the poem we sense a will on the part of Lanyer to establish an eroticized and idyllic relationship between the female writer that she is and the adressed reader Clifford and to give the countess sexual pleasure through the medium of poetry. In that sense, Lanyers enterprise is reminiscent of Barthes conception in Le plaisir du texte : according to which Literature is roughly a way of coming by means of words† â€Å"Le texte que vous ecrivez doit me donner la preuve qu’il me desire. Cette preuve existe  : c’est l’ecriture. L’ecriture est ceci  : la science des jouissances du langage† Here the notion of pleasure is everywhere â€Å" pleasure†,(8) â€Å"joys† , â€Å"delight†9 â€Å" joyful†, â€Å" recreations†, â€Å"sweet† 11 =gt; in fact Clifford can experience the pleasurable sensation that the garden ministers to her desires because Lanyer has infused this world, through the device of the pathetic fallacy, with her own capacity for feeling = meaningful rhyme â€Å" delight†/ â€Å" sight† 74 shows that  the delighful sight of the countess that gives Lanyer pleasure is sublimated and transmuted in the process of writing into an act of masturbation. Here Lanyer uses her pen as a penis to stimulate the senses of the countess. This is to be seen through the organic presence of the authors voice : a kind of acoustic sensuality Use of alliterations â€Å"did weepe for woe. â€Å" 180//†The Windes and Water â€Å",181 references to the birds sinsing â€Å" The little Birds in chirping notes did sing,29 refefrence to the pleasing â€Å"sound† pleasing sound  Ã‚ » 41 So basically Lanyer is being transgressive here because she uses her pen as a penis. She is capable of pleasuring the countess by occupying the role of poet-lover that is normally reserved only for those with male bodies. But while literature at the time naturalized men’s poetic vocation by analogizing pen and penis, Lanyer here uses the poem as a dildo. As such she appears to embody the figure of the tribade, † a woman who sexually penetrates other women using her enlarged clitoris or a dildo or how the patriarchal discourse would put it a woman who usurped male sexual and gender roles. We can actually see an actual image of penetration in poem , when Clif- ford allows the features of the landscape—and most saliently the oak tree— to enter her mind by â€Å"placing their former pleasures in [her] heart† to â€Å"pre- serve their love. So the oak is actually described as a kind of masturbatory source of delight. 156 =gt; What is alluring is that the reader with an empathetic identification can also experience the literary climax, the sexual pleasure oroduced by Lanyers poetry.